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"Nay, now," says Mona, sweetly, "do not talk like that. It grieves me. When you have formed a purpose worth living for, the whole world will undergo a change for you. What is dark now will seem light then; and death will be an enemy, a thing to battle with, to fight with desperately until one's latest breath. In the meantime," nervously, "do be cautious about that horrid weapon: won't you, now?",

"Oh, you are incorrigible!" says Doatie, leaning back in her chair in turn, and tilting backward her little flower-like face, that looks as if even the most harmless falsehood must be unknown to it.,

The man, seeing Mona, breaks from the woman, and comes up to her.,

"Good-by, my—my beloved—cousin," he says, in a choked voice. I think the last word is an afterthought. He is tearing himself from all he holds most sacred upon earth, and the strain is terrible. He moves resolutely a a few yards away from her, as though determined to put space between him and her; yet then he pauses, and, as though powerless to withdraw from her presence, returns again, and, flinging himself on his knees before her, presses a fold of her gown to his lips with passionate despair.

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"Poor soul! poor soul!" says Mona, brokenly; then she drops her hand, and the woman, turning again to the lifeless body, as though in the poor cold clay lies her only solace, lets her head fall forward upon it.,

Yet selfish is hardly the word to apply to Jack Rodney, because at heart he is kindly and affectionate, and, if a little heedless and indifferent, is still good au fond. He is light hearted and agreeable, and singularly hopeful:—,

"That has nothing to do with it," says Rodney. "The easier one can get to a place the more one puts off going. I knew a fellow once, and he lived all his time in London, and I give you my word he had never seen the Crystal Palace. With whom did you go to Killarney?",

"Oh, no, I'm not clever," says Mona; "but"—nervously and with downcast eyes, addressing Geoffrey—"I might perhaps be able to make you a little more comfortable."